Dissertation on Motherhood 🌹 Jenny Marie Hatch awards herself a PhD in Mother Hood

PhD MH

(A ten-minute scene for staged reading)

Setting

A bare stage. 

One wooden white rocking chair with white frilly cushions.

Soft light.

JENNY, barefoot and seven months pregnant, enters carrying a small stack of papers and a brand-new turkey red apron still in its plastic packaging. 

She tears the packaging open with her teeth, puts the apron on over her clothes, and ties it with deliberate ceremony. 

She looks at the audience as if daring them to laugh.

JENNY

I awarded myself a doctorate.

Not from Harvard. No Ivy League for me.

Not from anywhere with a Latin motto and a gift shop. 

There is no school that offers a PhD in Motherhood, so I went to Walmart, bought this apron, and conferred the degree upon myself. 

Jenny Marie Hatch, PhD MH. Doctor in the Philosophy of Motherhood.

It looks surprisingly official on a name tag.

The thesis is short. 

Modern women are standing at a fork in the road. One path is paved by medical science and leads somewhere that feels increasingly… managed and toxic.

The other path is older, quieter, and requires you to trust your own body more than the people who bill your insurance. 

I took the second path. 

Mostly barefoot. 

Frequently pregnant. 

And occasionally, according to my husband, somewhat lonely and isolating as we navigated being non-conforming on this and other issues… like vaccination.

Family sovereignty. 

That’s the fancy term I landed on after years of arguing with myself in the kitchen. It just means the family that is self-governed.

Husband and wife become one flesh, and then they try very hard not to hand the most intimate parts of their life over to strangers with clipboards. 

Birth. 

Nursing. 

Teaching. 

Healing. 

The moment you outsource those things, the bond between the two of you gets a little thinner and MUCH more expensive. 

You don’t notice it at first. 

Then one day you look up and realize half a dozen professionals know more about your children’s bodies than you do.

I learned this the costly way.

My first birth was in a big teaching hospital in Michigan. Fifty percent cesarean rate. 

Regional high-risk center. 

I was twenty, I had read the Bradley books three times each, and I still believed the system would treat me like a person. 

They put me in triage alone. Naked under a thin sheet on a cold metal table. 

A woman doctor and a young male intern walked in. 

Neither of them looked at my face. 

She examined me during a contraction. 

Then he took his turn. He stayed in longer than I felt necessary. When I started moaning she put her hands on my belly so he could “feel what a contraction is like.”

I looked at both of them and said, very clearly, “Don’t you ever touch me again while I’m having a contraction.”

They still didn’t look at me.

I gave birth without drugs, without an episiotomy, without the internal monitor. 

On paper it was a success. In my body it felt like something else entirely. For days afterward all I could see were that intern’s eyes and his big fat fingers probing my body.

If he had done that in any other setting it would have been classified as a rape, actionable by law enforcement.

My family said, “But you have a beautiful baby. Get over it.” 

I did not get over it. I just sat quietly with my feelings, for years.

And then I became much pickier about whose hands were allowed on my body. I have not had a vaginal exam since 1996… thirty years. And I plan to go to my grave never again submitting to that level of intrusion.

By  our fourth baby I had decided the only hands that belonged on my body were my husband’s and, eventually, the baby’s. 

We freebirthed. 

It was wild and perfect and then slightly dramatic afterward because the universe apparently thought my musical-theater background required a plot twist involving a transfer. 

We survived. Our marriage survived. 

When discussing our need to ask for help after our botched home birth Paul reminded me that we did not have a “birth”. 

We had a baby.

Then came four years I now call the Valley of the Shadow of Institutionalization. 

After homeschooling for a couple years, sent the kids to a charter school. 

We ate cold cereal. I bought some white flour and white sugar and began baking with it.

I bought fruit snacks so my children would be popular when they brought the treat bucket to school.

My husband asked once, “Why do we always have to be the weird ones?”

I looked in the mirror one morning and did not recognize the woman staring back. 

All the organic ideals, the tandem nursing, the unschooling, the attachment parenting… gone. 

Replaced by Lunchables and permission slips. And my children being taught that the ultimate goal they could achieve was a Pizza party with the Principal.

Where did I go?

It was a trial of faith, the kind the scriptures warn you about. 

You receive no witness until after the trial. 

Those four years were the trial. When we came out the other side we were quieter, clearer, and far more deliberate about what we chose while making important health care decisions on behalf of our minor children.

Our fifth pregnancy brought the Blessing Way. 

I invited ninety-five people. 

I made an altar with a picture of Jesus, a jar of Kamut and golden flaxseeds, and a sample cloth diaper. 

We asked for cloth diaper-fund donations instead of plastic diapers and baby formula.

The pioneers of the blessing-way ceremony came and did the whole ceremony at an outdoor park close to our home.

We wound yarn around our wrists. 

I sang “Come Thou Fount” a cappella while two hawks circled overhead. 

My husband and I sang “Jesus, Lover of My Soul”, our favorite duet.

     Jenny Singing (Paul can be heard harmonizing offstage)

Reverently

1. Jesus, lover of my soul,

Let me to thy bosom fly,

While the nearer waters roll,

While the tempest still is high.

Hide me, O my Savior, hide,

Till the storm of life is past.

Safe into the haven guide;

Oh, receive my soul at last.

2. Other refuge have I none;

Hangs my helpless soul on thee.

Leave, oh, leave me not alone;

Still support and comfort me.

All my trust on thee is stayed;

All my help from thee I bring.

Cover my defenseless head

With the shadow of thy wing.

Text: 

Charles Wesley, 1707–1788

Music: 

Joseph P. Holbrook, 1822–1888

Isaiah 25:4

Psalm 62:1–2, 7–8

It was the most sacred baby shower I have ever attended. And I organized it myself because I knew exactly how I wanted it to be.

My sister informed me that she would be happy to fly out from Michigan to attend a traditional baby shower, but the Blessing Way invite spooked her.

Birth is a sexual event.

The same hormones that allow a woman to open and expel a baby are the same hormones that allow her to orgasm. 

Oxytocin. 

Endorphins. 

The whole chemical orchestra. 

When a woman is left alone with someone she trusts, in a dark quiet room, with no strangers watching the clock, the body can do something astonishing. 

It can make birth feel… good. 

Not just tolerable. 

Not just “natural.” 

Actually ecstatic. 

Orgasmic, even. 

There are women who have experienced waves of pleasure during undisturbed birth that they later compare, without exaggeration, to the best sex of their lives.

Now picture trying to produce that same chemical cascade under fluorescent lights, with a stranger’s hand inside you every thirty minutes, a monitor strapped to your belly, a catheter, an IV, and a room full of people whose primary job is to make sure you stay on schedule.

It would be like asking a man to produce semen under the same conditions. 

Hooked up to machines. 

Poked and prodded. 

Told he’s “failing to progress.” 

And when he still can’t perform, wheeled into surgery so someone can extract what his body refused to give under duress.

We would never do that to a man. 

We do a version of it to women every single day and call it “standard of care”, when it is in fact “a cascade of interventions.”

I am not saying every birth should be a freebirth. 

Bodies are complicated. 

Sometimes things go sideways and you need the surgeon and you are grateful. 

But for the majority of women, the greatest quantum leap of all may simply be leaving them alone with the person they love.

Because when the room is dark, and the hands on her body are familiar, and no one is watching the clock… the same body that can make love can also birth a baby. 

A hormonal gush of the love hormones that bond a child firmly to its parents.

(She unties the apron, folds it carefully, and places it on the chair. Soft blackout.)

Rocking Chair

Frog and Toad in 2015

Jenny Hatch seven months pregnant with Benjamin in 2002!

Three hours after Ben’s FREEBIRTH on Oct 25th, 2002

A grok enhanced photo of Jenny Marie Hatch expecting Benjamin in 2002!

Healing Update

This past month I obtained handicap designation for myself and my car around three chronic health issues. This step has been something I have put off for five years since being diagnosed with chronic hypoxia.
The most problematic issue has been my spine. I have scoliosis and it has gotten markedly worse over the past few years while working as a professional driver.

I also suffer from a variety of emotional illnesses and always seem to be battling one thing or another around childhood trauma.

It has proven most helpful to get some new equipment for my oxygen supplementation and handicap designation for our car.

I am an Uber/Lyft Driver and having the proper tools in place to do my job well has felt incredibly empowering.

I also have been renting a wheelchair for certain situations to enable me to do more outside of my home.

I used it for the first time last month conducting a ninety minute stake choir practice and the chair was perfect!

We found a used wheelchair on Craigs List and it feels good to own one now.

I am also working with a new young chiropractor and am excited to see what we can do to increase my mobility over the next few years.

She put me on a mold protocol to help cleanse the tissues of my body using herbs and other supplements. We lived in a home in Cedar City Utah for three years that had a serious black mold problem and she believes the mold may have contributed to some serious infections I have suffered with these past few years.

Now I am wondering if the mold contributed to the untimely death of my dog Samwise Gandalf.

Lifelong anaphylactic allergies, asthma, and eczema are always lurking in the shadows and I cannot go anywhere without an epi pen, anti-histamines, and my inhaler.

I also have had several recent breathing emergencies that proved scary and sobering as we have tried to wrestle with how much I can do both inside and outside of our home. I am also learning the limitations of my battery powered oxygen concentrator.

I have been back on 24 hr a day oxygen supplementation for months since a setback a few months ago.

That being said, I am planning to audition for a few theatrical companies this year and hope to spend some quality time making music and performing onstage even if I am on oxygen in a wheelchair.

In the spirit of using music to heal, I started a new playlist on my YT channel to share my songs. Memorizing these lyrics and new arrangements will be a fun fall project.

I have also been starting my day with the three M’s. Movement, Math, and Music.

I do yoga, a Saxon math lesson, and work on memorizing the lines/songs of Ruth from Pirates of Penzance. These types of activities keep my mind and body occupied with positive activity and help my brain to function better.

I pick a musical theatre role I desire to play and memorize all songs, lines, and staging.

I have done this now with Mother Abbess from The Sound of Music, Mrs. Hannigan from Annie, Nettie from Carousel, Mrs. Thenardier from Les Mis, and Bea from Something Rotten.

The daily memorization of a difficult part is really great for overall brain nimbleness and helps beat back depression.

Thanks for stopping by!

I hope you have a great day!!!

Jenny Hatch

PS – I was given a new handicap license plate by the state of Colorado and spent a few extra dollars to choose my own letters and numbers.

Please Note that I am completely disabled by scoliosis and have to perform in a wheelchair on oxygen supplementation. I need a dressing room that is ADA compatible with no aerosols (hairspray) or cigarette smoke in use and with close access to a wheelchair friendly restroom.

I like to sleep in my own bed, so if your theatrical company is within a two hour car ride from Longmont Colorado, I will be commuting to rehearsals and performances. This would include Fort Collins to the north all the way down to Colorado Springs and anywhere along the front range and up to Breckenridge in the mountains.

If your company is out of state or more than 100 miles from my home, I will need ADA compliant housing on the ground floor with no stairs, no smoking roomates, and a wheelchair friendly shower stall.

The hardest part for me as these past few months have played out was interfacing with allopathic docs to reup my prescriptions and get the spinal scans and blood/urine work.

I hate allopathy with this viscerally palpable disgust and it galls me that my body compels me to swallow my pride and go get what I need from them every couple of years.

I am grateful to have had a x-ray to just get a benchmark of where I am.

When I was 15 I wore a brace for scoliosis for a year and the S curve was 17 degrees at the top and 32 degrees at the bottom.

The scan showed that the curve is much worse up top which fits with my symptoms. I can feel my left ribcage collapsing into my left lung and squeezing my diaphragm.

How much this contributes to my breathing issues I do not know.

I did feel somewhat defensive with my own children as they questioned the move to the wheelchair. They sorta felt like it was me giving up. One daughter didn’t even know that I have had scoliosis my whole life because I don’t talk about it.

After using the brace for a year, when I was 16 I threw it out and started seeing an osteopath who encouraged me to dance, lift weights, swim, and do anything I wanted to strengthen my back.

This was very freeing because it fit with my own intuition of what was important.

My teenage orthopedist had limited my exercise to swimming.

During my 20’s, 30’s, and most of my 40’s I used yoga and swimming to keep in shape, especially during my pregnancies. But I also walked quite a bit and rode my bike.

It has only been these last few years that I have been forced to slow way down.

And what I have had to confront just recently is that I may not get my health back any time soon.

I plan to keep working on it, of course, but I am reconciling to a life with serious limitations and it has not been easy.

We’ll see how it goes. I am constantly being pummeled with the most intense spiritual warfare for my political activism and all I can say is that it takes a heavy toll on my health.

We celebrated Paul’s 60th!
His 50th!

Audition @JennyHatch

I recently crafted a new website where I posted my audition video for musical theatre.

JennyHatch.Actor

I am gearing up to audition for several 2020 summer stock companies and 2019 Christmas shows being produced along the front range of Colorado.

Scoring Mrs. Fezziwig last year in The Longmont Theatre Company production of A Christmas Carol was amazing. But I have decided that is the last show I will do out of my wheelchair with no oxygen supplementation.

I kept my concentrator backstage on show nights and every time I came offstage I hooked up to increase my saturation. But I had several really scary moments, especially during the Fezziwig party scene when Mr. F and I had to waltz.

I did not tell the directors of my disabilities, focusing instead on delivering a knockout audition and always showing up to rehearsals on time and ready to go.

I volunteered to choreograph the dance scene because I wanted to make certain we danced a waltz instead of a polka and I kept the movement very slow with nothing aerobic and lots of arm movements.

If we had polka’d around the stage I would not have been able to do it.

I had three mini bouts of illness during rehearsals and missed a whole week of blocking with yet another eye infection.

There were no understudies, and I was really nervous about tech week. We had an eight hour tech that sent me over the edge and I missed the first dress rehearsal. I have to use extreme judgement when in a singing show in terms of my energy levels, dehydration, and overall stamina.

That eight hour tech came after a key performance with the choir I direct, so it was a big long 14 hour day. I dehydrated down to a worn out prune, even though all I ate that day was green grapes.

If I become truly ill the first thing to go is my singing voice. And it is nearly impossible to sing at this high of an altitude when you are dehydrated.

I had a really big solo in the second act during Tiny Tims death scene, plus I sang during intermission with some kids in the cast and also during the party scene.

So despite the extreme frustration of my director, I spent a day rehydrating instead of attending that first dress.

I had one major breathing incident during a later dress rehearsal that scared me enough to shift to full offense with my efforts to perform without passing out on stage.

When we opened the show I went to extreme measures with my diet.

On show days I ate a small bowl of homemade vegan granola with rice milk in the morning and on the way to the theater I bought four ounces of wheat grass juice.

Wheat grass is incredibly oxygenating to the blood.

Heavy food in my digestive system makes it more difficult to breathe. So I ate high protein meals on non show days and barely anything on show days. Our two Sunday performances I was not able to buy the wheat grass because IntaJuice was closed and so I had those performances to compare. I definitely received a huge burst from the wheatgrass.

The chronic hypoxia I struggle with showed up shortly after I was exposed to some chemicals in 2006 that burned the tips of my bronchial tubes and caused scar tissue to form. I already had childhood asthma and have struggled with high altitudes since I came out west from the midwest in 1991.

I also have extreme S curve scoliosis in my spine and as I have gotten older my rib cage is collapsing into my left lung and compressing my diaphragm. It is becoming increasingly difficult to walk and because one of my legs is longer than the other I am always nervous about falling.

These are the conditions that I have largely hidden away from casting directors for the past seven years since I started back on the stage with CVCT’S production of Annie.

At the Tonys this past year I observed Ali in a wheelchair getting the award for Best Supporting Actress in a Musical and I had the thought, “maybe instead of killing my live performances, admitting to my disabilities and using my tools might just be the beginning of a less stressful time in the performing arts.”

We’ll see.

Directing our Longmont Stake Family Choir in my chair and on oxygen was a game changer for me.

Instead of fretting about standing during a ninety minute rehearsal, I comfortably sat while fully oxygenated and guess what?

I did it!

Miracle…

Jenny Hatch

Photos of my characters from Little Shop of Horrors

Little Shop Opening Scene Skid RowWe closed the show a week ago and I have had a few days to decompress.

I feel really good about the work we did and happy to have been involved in this project as a performer and Stage Manager.

Here are a few photos of my characters in the ensemble:

Crazy Cat Lady of Skid Row:

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Mrs. Luce (Claire Boothe Luce is a personal hero of mine, so it was fun to play the Little Shop version of her persona!)

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My Husband Paul came over to the theatre one night after the show and took 250 photos.  Click HERE to view them on drop box.

SUU News did a nice write up in the campus paper HERE.

The Father of the actor who played Seymour took a ton of photos during our closing night performance.  His photo stream is located HERE.

And Dean, who played Mushnik took photos the same night that Paul showed up for his shoot.  His photos stream is HERE.

Dean took a picture of Paul while he shot the cast:
Paul taking photos at the shoot

For the finale the ensemble was Zombified, so here I am in my zombie makeup after opening night:

Jenny Hatch in Zombie makeup for Finale

I did about ten blog entries of the show using video and still pictures that I took myself during rehearsals. I should have asked permission to share this content because some of the cast did not want to be associated with my Blog because of my views on various issues. So I deleted all of that material and have only included a few shots that are mostly just me, with a few cast members in the background.

Here are some final thoughts about this show….

I have watched Little Shop of Horrors live several times, mostly after being produced by high schools and amateur groups. I have watched the movie several times and in preparing to be the Stage Manager for this production I watched and listened to various You Tube clips literally dozens of times. As the show embedded itself into my brain over the past few months I have come to believe it is a redemption show, much more than just a creepy musical.

The desires of Audrey and Seymour to be parents and live a normal domestic life, the Faustian themes of selling our life blood to evil entities who end up eating us in the end, the willingness of Seymour to forgive Audrey for her past, and the chills that ran up and down my spine every time I heard Suddenly Seymour sung by our leads…this is a wonderful show with amazing music and I was so happy to be a part of it.

I am grateful for my families support while I was away rehearsing every night these past few weeks and for the wonderful help from Paul and Shelly who took over the kitchen while I have a few months of doing what I love most. It was a great experience….

Now back to my kitchen…

Jenny Hatch

Cedar City Childrens Musical Theatre: Beauty and the Beast

imageSeveral of the children I performed Annie with, including the girl who played Belle, were a part of this production. So, Paul and I went for date night on friday.

imageIt was so well done!

Jenny Hatch

It is rare to see a curtain call last more than a minute or two, but this show had such a huge cast it took five minutes for all of the children to bow. More about this company HERE!