Utah Shakespeare Festival Greenshow 2013

Paul, Elaine, Allison, and I attended the greenshow! So fun…

Playmill Theatre 50th Anniversary Reunion this month!

Playmill Banner 2I was so hoping to be able to travel up to West Yellowstone to attend the 50th reunion party next week. But I just can’t justify the expense right now. I have had a blast reconnecting with several friends on Facebook and on the phone who I have not talked to since that summer of 1987.

And my friend Suzanne posted her whole scrapbook of photos on facebook. Chimene Benson, daughter in law to Lynn and Fern Benson uploaded precious photos from the Benson Family Photo Album. I grabbed a few of the photos from both ladies, so here they are in a slide show.


Suzannes Father was also one of the original founders of the Playmill and she recently wrote an article for a local paper on the reunion:

Playmill Theatre celebrates 50 years of entertainment

By Suzanne Harris-Severe

 

“Popcorn!”  “Suckers!”  “Fudge!”

To many Rexburg residents, these words conjure up years of memories of the Playmill Theatre!  The Playmill, located in West Yellowstone, Montana will celebrate fifty years of music, variety, and family entertainment on June 20, 2013.

It all started with a dream.  Roger Harris, had always dreamed of opening a live theatre at the west entrance of Yellowstone National Park.  With three of his friends and Ricks College colleagues, Lee Gifford, Lyle Watson, and Lynn Benson, they embarked on an adventure that they never imagined would turn into a successful and popular venue.    The theatre was named the Westgate Playmill Theatre then.

That first year,  1964, was a difficult one.  The men spent countless hours commuting and preparing the small rented building into a stage, seating, and lights.  They were the cast, crew, box office manager, and directors…usually working 20-hour days. There were only seven Ricks College students in the cast that year. Seating was simply folding chairs.

There were many obstacles and challenges.  Once the power went out and the front row of the audience held candles for light.   Many nights, after the show, the four men would spend hours in a local family diner called Swanson’s.  They would eat dinner, usually the only meal they had time for, and cried on each other’s shoulders wondering how they were going to make it. But despite the challenges, the ‘show must go on!’

Through the first few years, three of the original founders left to pursue other opportunities; leaving Lynn and Fern Benson as the sole owners and operators.

Years later, John and Trudy Bidwell would run the theatre, and then Roger and Heidi Merrill, who currently operate the Playmill.

Through the years, hundreds of college students have experienced being a “Playmill Player” and thousands of people have laughed, cried and sung with the cast on stage.  There are many cast memories of players: falling through the ceiling onto the stage; witnessing bears nearly walking through the open theatre doors; vacuuming up a lot of popcorn; meeting audience members from all over the world; forgetting lines during a show; and in some cases, meeting their future spouses.

For many years, the Playmill was associated with BYU and Ricks College.  Auditions were held at both locations, and many promising drama and music students chosen would then spend a summer in some of the most beautiful country in the world.  Cast members were able to receive college credits upon completion of theatre classes taught during their summer.

In the last fifty years, there have been many shows performed, gallons of soda consumed, pounds of fudge made, and hundreds of songs sung.  Next week, the Playmill Player alumni look forward to a 50-year reunion (June 20-22) at the Playmill.  During the reunion, alumni will see performances, participate in an alumni variety and pre-show, take a midnight drive to Old Faithful, and enjoy a luncheon where they can reminisce and enjoy re-connecting with each other.

This family-oriented theatre has created a wonderful heritage, formed life-long relationships , and have welcomed thousands of audience members into the Playmill family.

So here’s to the four men who fulfilled a dream.  Here’s to those who have continued their legacy.  And here’s to fifty more years of Playmill Theatre entertainment!”

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This short video clip from closing night of Pippin has the finale scene, curtain call, and street greeting which we did after every show.

This summer stock company was founded by a few Theatre Professors from Ricks College and BYU and is still going strong fifty years later. I feel so blessed to have been a part of it for a few months of my life, performing eight shows a week and living the lifestyle of the professional actor before my adult life kicked in and husband, marriage, children, and life took over.

Jenny Hatch

Jenny Hatch in Pippin Costume

Jenny Hatch in Pippin Costume

The shows this summer are spectacular, so check out the playmill site for more information! Click HERE

Hello Dolly for date night!

imagePaul and I went to see Hello Dolly for date night this week. It was so well produced! The same group that I performed Annie with put on this show and we really enjoyed watching it.

Jenny Hatch
Helo Dolly

Annie Photos and a few more thoughts on the Political Assumptions of the show

Jenny and Jeff in Hooverville costumesI was talking to one of the Moms before our closing performance last night.  She is also a Homeschooler and very educated about political ideology and controversies.  She had no idea how political the stage show was and used her girls performing as orphans in the show as an opportunity to have her teenage children conduct some research on FDR and his New Deal and what it did to the American People during the depression.

Many historians refer to the depression that occurred in 1921 as being just as devastating as the stock market crash that hit in 1929.  And some historians claim that FDR’s New Deal extended the depression by a decade.

“In order to make sure that this version of events sticks, little, if any, public mention is ever made of the depression of 1920–1921. And no wonder — that historical experience deflates the ambitions of those who promise us political solutions to the real imbalances at the heart of economic busts.

The conventional wisdom holds that in the absence of government counter cyclical policy, whether fiscal or monetary (or both), we cannot expect economic recovery — at least, not without an intolerably long delay. Yet the very opposite policies were followed during the depression of 1920–1921, and recovery was in fact not long in coming.

The economic situation in 1920 was grim. By that year unemployment had jumped from 4 percent to nearly 12 percent, and GNP declined 17 percent. No wonder, then, that Secretary of Commerce Herbert Hoover — falsely characterized as a supporter of laissez-faire economics — urged President Harding to consider an array of interventions to turn the economy around. Hoover was ignored.

Instead of “fiscal stimulus,” Harding cut the government’s budget nearly in half between 1920 and 1922. The rest of Harding’s approach was equally laissez-faire. Tax rates were slashed for all income groups. The national debt was reduced by one-third.

The Federal Reserve’s activity, moreover, was hardly noticeable. As one economic historian puts it, “Despite the severity of the contraction, the Fed did not move to use its powers to turn the money supply around and fight the contraction.”[2] By the late summer of 1921, signs of recovery were already visible. The following year, unemployment was back down to 6.7 percent and it was only 2.4 percent by 1923.”

As I talked to Barbara about the assumptions of the show and how the original cartoonist who created the Little Orphan Annie strip was a free market conservative who would have been very upset to see what was done to his characters in the BIG Government solutions to the depression that the show presumes solved everything, I was struck with the thought that tens of thousands of little girls have potentially performed this show over the past 35 years, and with the new revival on Broadway last year, Annie fever will only get revved up to a much higher level as we go forward.

This culture war crap is really demoralizing.

But the truly crazy thing to me is that I LOVED performing the show.

Those songs are embedded on my heart.  I have sung them since I was a pre teen, and as we closed the show with a cast performance of Tomorrow last night, I found myself breaking down emotionally with how uplifting it all was…”The sun will come out tomorrow”… yadda yadda yadda.

Hopefully my next show will be Ayn Rands Night of January 16th to even me out politically with my theatrical efforts.

I am grateful for the friendships formed during the production of this show and the extra time I was able to spend with Jeffrey, who will be leaving on his mission next month.  Musical Theatre is a magical place to hang out, and the professionalism of the cast, crew, and orchestra was truly amazing.  It was a level of Community Theatre that I did not know existed.

Here are some photos and videos!

Jenny in NYC costume

Enjoy!

Jenny and Jeff after Annie

Jenny HatchJenny with the boys

Book of Mormon Musical

Click on the image to read the online version of The Book of Mormon

As a Faithful Mormon and a lover of Musical Theatre, I have followed this story with great interest the past few months.

I don’t know that I can credibly critique a show that I have yet to see, but two friends who are both LDS who have seen it said: “But Cornett was “pleasantly surprised that the writers’ usual middle-school-grade crudeness was virtually absent.” and “Everything you have heard is true. But worse.“…

I trust both of my friends opinions.

I am for artistic freedom and completely endorse the idea of free speech through any medium, even when that speech mocks what is most sacred in my life. As I listened to this song from the show performed on the Tony Awards last night, I had to nod in agreement with just about everything that was articulated in the lyrics. I do believe with every particle of my being that Jesus is the Christ and The Church of Jesus Christ of Latter Day Saints is his Kingdom on the Earth.

More from Rolling Stone

And for those of my friends open minded enough to give the real Book of Mormon a read, here is a link to the online version…  it is my favorite Book.